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Double-screen
video-installation GUESTures | GOSTIkulacije, is part of a series of works that
stem from artist's long-term ethnographic, archival and historical research and
interviews with the migrant worker women in Berlin, who were part of an
organised mass labour migration, from the socialist Yugoslavia to West-Germany,
in the late 1960s.
Inspired
by the principles of the verbatim theatre and its political potential, the
video GUESTures | GOSTIkulacije was filmed with actress Adna Sablyich in
artist's studio in London, basing her performance on audio-recordings of
conversations between migrant workers and the artist. The resulting work both
follows and subverts the impulse of the verbatim style to achieve a certain
‘ideal’ authenticity of expression through the use of documentary material. On
two equally sized rectangular screens we can simultaneously follow two
complexly linked contents; on one we see the artist creating the film-set, a
kind of ‘fictional’ framework for the women’s stories, intervened occasionally
by archival footage from German factories in which these women worked, whilst
on the other we are solely focused on the actresses performance. The desired
effect of the Brechtian ‘distancing’ of the narrative is additionally achieved
through occasional subtle interventions by the artist herself, from significant
pauses in the interpretation of the text, to the sudden inclusion of the
artist’s voice replicating parts of the interview. Each part of the video, is
as much a portrait as it is a space of experimentation with questions of voice,
testimony and narrative; document/ary, performativity and the historical
imaginary.
Funded
by the Arts Council England and SC Galerija Zagreb. Actress: Adna
Sablyich; Sound: Manuele Mandolesi; Editor: Judy Price; Translation: Margareta
Kern, Branislava Kuburovic, Suzi Kojakovic, Cherry Smyth and Ljiljana Winkler;
Technical support: Marcus Kern; Mentors: Karen Mirza and Brad Butler.
Further project info here: http://guestworkerberlin.blogspot.com
GUESTures | GOSTIkulacije is screened as part of Counterpoint exhibition in London, and GUESTures solo exhibition at SC Galerija Zagreb. Please see information below.
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Counterpoint [part of Platforma festival] Rochelle School & Club Row, Arnold Circus, London E2 7ES 29 November - 4 December 2011 Admission free. Opening times: 11am - 8pm (Tuesday - Saturday); 11am - 3.30pm (Sunday) Opening on 28 November at 7pm. 1st December at 6pm: round table discussion with Oreet Ashery, TJ Demos and Margareta Kern.
Counterpoint is defined as the art of combining two or more dimensions - cultures, settings, homes, narratives, melodies etc - in such a way that they establish a harmonic relationship between them, even if mutually antagonistic or irreconcilable. The intention of Counterpoint is to explore Edward Said’s idea that through their simultaneous awareness of different realities, exiles, refugees and migrants can create a uniquely plural vision of society, questioning the notions of objective reality and suggesting new ways forward.
Further information: http://www.platforma.org.uk/events/counterpoint-multidisciplinary-event
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GUESTures/GOSTIkulacije: solo exhibition SC Galerija Zagreb 14th October - 29th October 2011
Izlozba GOSTIkulacije Margarete Kern su niz pazljivo insceniranih performativnih arhivskih intervencija napravljenih ‘po mjeri’ prostora Galerije studentskog centra u Zagrebu. Ova samostalna izlozba je u stvari najnovija postavka autoricina visegodisnjeg projekta pod nazivom GOSTI, niza instalacija pracenih razgovorima, svojevrsnog ‘putujuceg arhiva’ koji se razvija u stalnom i kompleksnom dijalogu s posjetiocima i sa ‘subjektima’ autoricinog paralelnog povijesnog i etnografskog istrazivanja organizirane masovne migracije radnika iz socijalisticke Jugoslavije u Zapadnu Njemacku kasnih sezdesetih i ranih sedamdesetih godina proslog vijeka. [1] Pitanja stvaranja arhiva onih koji su u sjeni, kako zvanicnoj povijesti, tako i medijskoj reprodukciji stvarnosti, blisko su vezana za autoricino propitivanje odnosa slike, naracije, etnografsko-umjetnickog istrazivanja i performansa.
Margareta Kern's solo exhibition GUESTures is a series of carefully staged performative archival interventions, installed specifically for the space of Gallery SC in Zagreb. This solo exhibition is the most recent installation of the artist's long-term project, a kind of 'travelling archive' which develops in constant and complex dialogue with the gallery visitors and with the 'subjects' of artist's paralel historical and ethnographic research into the mass labour migration of the workers from the socialist Yugoslavia to West Germany in the late 1960's and early 1970's. [1] Questions around the visibility of archives, of those in the shadows of official histories, are closely entwined with Kern's questionioning of the relationship of image, narrative and performance, and the position of an artist as ethnographer.
Saturday 15th October at 5pm: in-discussion Margareta Kern with Karen Mirza, artist and film-maker http://mirza-butler.net/ [audio of the conversation will be available on this web-site shortly]. Part of Border-less project. [1] From the exhibition text by Branislava Kuburovic: 'GUESTures: Awakening the Space of Precarious Knowledge' - it can be read in full here http://guestworkerberlin.blogspot.com
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15th September - 1st October 2011 'terms & conditions' - series of events at Iniva (London) on precarity of labour and migration: Join workshops and discussions led by artist Margareta Kern and contributors from diverse fields: Read the background to the project here.
Thu 15 September, 6:30-8.30pm Talk and discussion: Who are the Migrant Workers Today? (mapping precarious labour) With Dr Faiza Shaheen, economist, Kevin Ward, Professor of Human Geography, Latin American Workers Association, and collective Precarious Workers Brigade Sat 17 September, 3-5pm Film screening: The Work They Say Is Mine Screenings on the visibility of the labour of women and migrants, organised with Cinenova, a distributor of film and video made by women. Cinenova working group members Melissa Castagnetto and Marina Vishmidt will introduce the screening Sat 24 September, 3-5.30pm Talk and discussion: Immigrant Protest: Politics, Aesthetics and Everyday Dissent With Dr Imogen Tyler, Sociology Senior Lecturer & Leverhulme Fellow, activist group No Borders London, and artists Nada Prlja and Margareta Kern
Thurs 29 September, 6.30-8pm Talk: Current Crises and the Rise of Xenophobia With Ash Amin, Professor of Geography at Cambridge University Sat 1 October, 3-4.30pm Anti-Fascist self-learning workshop, through the Bishopsgate Institute's Archive With the Aesthetics of Resistance reading group Sat 1 October, 5-7pm, £6(£5 concessions) Anti-Fascist Footprints guided walking tour Led by David Rosenberg, teacher and educationalist, highlighting historical events in East London
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WHERE EVERYTHING IS YET TO HAPPEN Banja Luka, Mostar, Sarajevo October - November 2010
Exposures, the second chapter of the long-term, collaborative project WEIYTH – Where Everything Is Yet to Happen takes place in Banja Luka, Mostar and Sarajevo in the form of an exhibition, a set of seminars, workshops, and new productions. The title Where Everything is Yet to Happen (WEIYTH) – starting off in Bosnia-Herzegovina in the framework of SpaPort Biennial 2009/10 – contains references to duration, location and variables of an expected event. These ‘uncertain parameters’ are located in a breach between a past that does not offer, in Badiou’s terms, an event to which we would bind ourselves to fidelity, and a future from which one expects precisely that - the 'miracle' of event.
Incited by the WEIYTH's underlying concept of a prospective rethinking of the notion of community, the artistic and curatorial propositions at the exhibition opened up a set of topics, designating the course of the further development of the project: the issues of collaboration, complicity, articulation of trauma, exile and return, politics of language, politics of memory, culturalization of politics and politization of art.
The catalogue of the exhibition is currently in production, if you would like a copy please send email to info[at]margaretakern[.]com
Ucesnike/ce pozvale/Participants were invited by: DeLVe | Institut za trajanje, mjesto i varijable (Ivana Bago i Antonia Majaca)
Organizacija i produkcija/Produced by: Protok – Centar za vizuelne komunikacije, Banja Luka, www.protok.org
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'GOSTI/GUESTS' installation at Exposures, November 2010.
Artists: Grupa Spomenik (Damir Arsenijevic, Jasmina Husanovic, Jelena Petrovic, Branimir Stojanovic, Milica Tomic) -> Radna grupa Cetiri lica Omarske (Mirjana Dragosavljevic, Srdjan Hercigonja, Sandro Hergic, Vladimir Miladinovic, Marija Ratkovic, Dejan Vasic, Jovanka Vojinovic, Zoran Vuckovac i Milica Tomic) | STEALTH.unlimited (Ana Dzokic i Marc Neelen) | Istrazivacki arhiv Nogomet metafora zivota (Abart, Mostar) | Igor Bosnjak | Lana Cmajcanin i Igor Grubic | Sandra Dukic & Boris Glamocanin | Flaka Haliti| Nicole Hewitt | Amel Ibrahimovic | Margareta Kern | Radenko Milak | Renata Poljak | Vahida Ramujkic | Lala Rascic | Borut Separovic, Goran Ferec & Generacija 91-95| Bojana Tamindzija
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CitiesMethodologies Buchurest 28 October - 5 November 2010 http://citiesmethodologies.wordpress.com/
The aim of CitiesMethodologies is to show concrete examples of new and innovative approaches which are pushing the boundaries of urban research, and which may be based in the arts, sociology, anthropology, urban planning, architecture, etc. Instead of looking at ‘end products’ of how cities are represented, the objective is to look at how urban researchers and ‘explorers’ (artists, academics, practicioners, and others) make their hands dirty in terms of the practical choices (and mistakes) they make in the process of data gathering, and the way their practices intervene in the everyday life of cities. Artists: Wesley Aelbrecht, Irina Botea, Margareta Kern, Anthony Luvera, London in Motion, Cosmin Nicolae, Mircea Nicolae, Rastko Novakovic& Ger & Ger Duijzings, Phil Collins, roArchive (Bogdan Bordeianu, Michele Bressan, Simona Dumitriu, Bogdan Girbovan, Raluca Ionescu, Iosif Kiraly, Andrei Mateescu, Cosmin Moldovan, Larisa Sitar), Peter Sant, Alexandru Solomon, subREAL, Füsun Türetken, Eva Weber.
Curators: Aurora Kiraly and Simona Dumitriu
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Kunsthalle Budapest 18 June 2010 - 19 September 2010 Curators: Eszter Lázár and Zsolt Petrányi OPENING: 17 JUNE, 2010, 7 P.M. The exhibition called Over the Counter has been inspired by the economic illusions, utopias, creativity and frustration that Central Europe has been home to recently, and is made relevant by the global economic crisis which began in 2008, and which can be looked upon as a negative critique of the process of adopting the capitalist order. Continue reading here. http://www.mucsarnok.hu ARTISTS: Matei Bejenaru, Bukta Imre, Mircea Cantor, Olga Chernysheva, Anetta Chisa, & Lucia Tkácová, Erhardt Miklós, Andreas Fogarasi, Kristina Inciuraité, Interorient, Keserue Zsolt, Margareta Kern, Johanna Kandl, Yuri Leiderman, Kristina Leko, Anna Molska, Deimantas Narkevicius, Nemes Csaba, Lucia Nimcova, Uriel Orlow, Dan Perjovschi, REINIGUNGSGESELLSCHAFT, R.E.P., Katerina Sedá, Société Réaliste, Mladen Stilinovic, Lukasz Skapski, Kamen Stojanov, Mona Vatamanu & Florin Tudor, Clemens von Wedemeyer. |
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"GUESTS' Installation at Kunsthalle Budapest. More info and images about the work please see guestworkerberlin.blogspot.com
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 GUEST, Margareta Kern, 2010 Photo by: Marcus Kern / Post-production: Basia Hrymowicz
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GUEST: solo exhibition at ICIA Bath, 6 May - 18 June 2010, part of Artist-in-Residence
Kern's photographic and video work to date has drawn on documentary portraiture, the process resembling anthropological 'field work', the artist returning home with field notes, photographs, videos and sound recordings. The residency in Bath has evoked this process - the artist being away from home, a 'guest', attempting to both integrate while observing her new environment. During her residency, Kern wore a specially designed 'work wear' tailor-made by her mother. Kern met with University staff that wear uniforms or protective clothing, such as physics lab technicians, security staff, postal workers, chefs and cleaners, and took a photograph as a record. To continue reading please click here http://www.bath.ac.uk/icia To read GUEST a-n Blog please click here.
Supported by the Arts Council England, University of Bath's department of Social Science and the Institute of Contemporary Interdisciplinary Arts.
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The symposia questioned how artists and curators in Europe are currently engaging with ideas around borders, nationhood, social organisation and collaboration. What is role of art within this context, particularly in relation to the current state of European politics and increasing social unease within many rapidly changing populations? Part of Borderline project, curated by Sonya Dyer. Supported by Chelsea Programme, Chelsea College of Art and Design and City Inn Westminster. The videos of the symposia is available on the Borderline website http://borderlineproject.org.uk/ http://www.tate.org.uk/britain/eventseducation/symposia/19662.htm
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| For more events and exhibitions please see exhibitions page... |
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