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Stills from GOSTIkulacije | GUESTures, double-screen HD video, 33 minutes, Margareta Kern, 2011

 

Double-screen video-installation GUESTures | GOSTIkulacije, is part of a series of works that stem from artist's long-term ethnographic, archival and historical research and interviews with the migrant worker women in Berlin, who were part of an organised mass labour migration, from the socialist Yugoslavia to West-Germany, in the late 1960s. 

Inspired by the principles of the verbatim theatre and its political potential, the video GUESTures | GOSTIkulacije was filmed with actress Adna Sablyich in artist's studio in London, basing her performance on audio-recordings of conversations between migrant workers and the artist. The resulting work both follows and subverts the impulse of the verbatim style to achieve a certain ‘ideal’ authenticity of expression through the use of documentary material. On two equally sized rectangular screens we can simultaneously follow two complexly linked contents; on one we see the artist creating the film-set, a kind of ‘fictional’ framework for the women’s stories, intervened occasionally by archival footage from German factories in which these women worked, whilst on the other we are solely focused on the actresses performance. The desired effect of the Brechtian ‘distancing’ of the narrative is additionally achieved through occasional subtle interventions by the artist herself, from significant pauses in the interpretation of the text, to the sudden inclusion of the artist’s voice replicating parts of the interview. Each part of the video, is as much a portrait as it is a space of experimentation with questions of voice, testimony and narrative; document/ary, performativity and the historical imaginary. 
 

Funded by the Arts Council England and SC Galerija Zagreb. Actress: Adna Sablyich; Sound: Manuele Mandolesi; Editor: Judy Price; Translation: Margareta Kern, Branislava Kuburovic, Suzi Kojakovic, Cherry Smyth and Ljiljana Winkler; Technical support: Marcus Kern; Mentors: Karen Mirza and Brad Butler.

Further project info here: http://guestworkerberlin.blogspot.com

GUESTures | GOSTIkulacije is screened as part of Counterpoint exhibition in London, and GUESTures solo exhibition at SC Galerija Zagreb. Please see information below.

guesture mkern gordana
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Counterpoint [part of Platforma festival]
Rochelle School & Club Row, Arnold Circus, London E2 7ES  

29 November - 4 December 2011
Admission free. Opening times: 11am - 8pm (Tuesday - Saturday); 11am - 3.30pm (Sunday)
Opening on 28 November at 7pm.

1st December at 6pm: round table discussion with Oreet Ashery, TJ Demos and Margareta Kern.

Counterpoint is defined as the art of combining two or more dimensions - cultures, settings, homes, narratives, melodies etc - in such a way that they establish a harmonic relationship between them, even if mutually antagonistic or irreconcilable. The intention of Counterpoint is to explore Edward Said’s idea that through their simultaneous awareness of different realities, exiles, refugees and migrants can create a uniquely plural vision of society, questioning the notions of objective reality and suggesting new ways forward.

Further information: http://www.platforma.org.uk/events/counterpoint-multidisciplinary-event

 

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Installation view of GOSTIkulacije | GUESTures at SC Galerija, Zagreb - for more installation images click here

 

GUESTures/GOSTIkulacije: solo exhibition
SC Galerija Zagreb
14th October - 29th October 2011

Izlozba GOSTIkulacije Margarete Kern su niz pazljivo insceniranih performativnih arhivskih intervencija napravljenih ‘po mjeri’ prostora Galerije studentskog centra u Zagrebu. Ova samostalna izlozba je u stvari najnovija postavka autoricina visegodisnjeg projekta pod nazivom GOSTI, niza instalacija pracenih razgovorima, svojevrsnog ‘putujuceg arhiva’ koji se razvija u stalnom i kompleksnom dijalogu s posjetiocima i sa ‘subjektima’ autoricinog paralelnog povijesnog i etnografskog istrazivanja organizirane masovne migracije radnika iz socijalisticke Jugoslavije u Zapadnu Njemacku kasnih sezdesetih i ranih sedamdesetih godina proslog vijeka. [1] Pitanja stvaranja arhiva onih koji su u sjeni, kako zvanicnoj povijesti, tako i medijskoj reprodukciji stvarnosti, blisko su vezana za autoricino propitivanje odnosa slike, naracije, etnografsko-umjetnickog istrazivanja i performansa.


Margareta Kern's solo exhibition GUESTures is a series of carefully staged performative archival interventions, installed specifically for the space of Gallery SC in Zagreb. This solo exhibition is the most recent installation of the artist's long-term project, a kind of 'travelling archive' which develops in constant and complex dialogue with the gallery visitors and with the 'subjects' of artist's paralel historical and ethnographic research into the mass labour migration of the workers from the socialist Yugoslavia to West Germany in the late 1960's and early 1970's. [1] Questions around the visibility of archives, of those in the shadows of official histories, are closely entwined with Kern's questionioning of the relationship of image, narrative and performance, and the position of an artist as ethnographer.

Saturday 15th October at 5pm: in-discussion Margareta Kern with Karen Mirza, artist and film-maker http://mirza-butler.net/ [audio of the conversation will be available on this web-site shortly]. Part of Border-less project.

[1] From the exhibition text by Branislava Kuburovic: 'GUESTures: Awakening the Space of Precarious Knowledge' - it can be read in full here http://guestworkerberlin.blogspot.com

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iniva

15th September - 1st October 2011

'terms & conditions' - series of events at Iniva (London) on precarity of labour and migration:
Join workshops and discussions led by artist Margareta Kern and contributors from diverse fields:
Read the background to the project here.

Thu 15 September, 6:30-8.30pm
Talk and discussion: Who are the Migrant Workers Today? (mapping precarious labour)

With Dr Faiza Shaheen, economist, Kevin Ward, Professor of Human Geography, Latin
American Workers Association, and collective Precarious Workers Brigade

Sat 17 September, 3-5pm
Film screening: The Work They Say Is Mine

Screenings on the visibility of the labour of women and migrants, organised with Cinenova, a
distributor of film and video made by women. Cinenova working group members Melissa
Castagnetto and Marina Vishmidt will introduce the screening

Sat 24 September, 3-5.30pm
Talk and discussion: Immigrant Protest: Politics, Aesthetics and Everyday Dissent

With Dr Imogen Tyler, Sociology Senior Lecturer & Leverhulme Fellow, activist group No
Borders London, and artists Nada Prlja and Margareta Kern

Thurs 29 September, 6.30-8pm
Talk: Current Crises and the Rise of Xenophobia

With Ash Amin, Professor of Geography at Cambridge University

Sat 1 October, 3-4.30pm
Anti-Fascist self-learning workshop, through the Bishopsgate Institute's Archive

With the Aesthetics of Resistance reading group

Sat 1 October, 5-7pm, £6(£5 concessions)
Anti-Fascist Footprints guided walking tour

Led by David Rosenberg, teacher and educationalist, highlighting historical events in East
London

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RECENT EXHIBITIONS & EVENTS

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WHERE EVERYTHING IS YET TO HAPPEN
Banja Luka, Mostar, Sarajevo
October - November 2010

Exposures, the second chapter of the long-term, collaborative project WEIYTH – Where Everything Is Yet to Happen takes place in Banja Luka, Mostar and Sarajevo in the form of an exhibition, a set of seminars, workshops, and new productions. The title Where Everything is Yet to Happen (WEIYTH) – starting off in Bosnia-Herzegovina in the framework of SpaPort Biennial 2009/10 – contains references to duration, location and variables of an expected event. These ‘uncertain parameters’ are located in a breach between a past that does not offer, in Badiou’s terms, an event to which we would bind ourselves to fidelity, and a future from which one expects precisely that - the 'miracle' of event.

Incited by the WEIYTH's underlying concept of a prospective rethinking of the notion of community, the artistic and curatorial propositions at the exhibition opened up a set of topics, designating the course of the further development of the project: the issues of collaboration, complicity, articulation of trauma, exile and return, politics of language, politics of memory, culturalization of politics and politization of art.

The catalogue of the exhibition is currently in production, if you would like a copy please send email to info[at]margaretakern[.]com

Ucesnike/ce pozvale/Participants were invited by:
DeLVe | Institut za trajanje, mjesto i varijable (Ivana Bago i Antonia Majaca)

Organizacija i produkcija/Produced by:
Protok – Centar za vizuelne komunikacije, Banja Luka, www.protok.org

 

 

 

'GOSTI/GUESTS' installation at Exposures, November 2010.

Artists: Grupa Spomenik (Damir Arsenijevic, Jasmina Husanovic, Jelena Petrovic, Branimir Stojanovic, Milica Tomic) -> Radna grupa Cetiri lica Omarske (Mirjana Dragosavljevic, Srdjan Hercigonja, Sandro Hergic, Vladimir Miladinovic, Marija Ratkovic, Dejan Vasic, Jovanka Vojinovic, Zoran Vuckovac i Milica Tomic) | STEALTH.unlimited (Ana Dzokic i Marc Neelen) | Istrazivacki arhiv Nogomet metafora zivota (Abart, Mostar) | Igor Bosnjak | Lana Cmajcanin i Igor Grubic | Sandra Dukic & Boris Glamocanin | Flaka Haliti| Nicole Hewitt | Amel Ibrahimovic | Margareta Kern | Radenko Milak | Renata Poljak | Vahida Ramujkic | Lala Rascic | Borut Separovic, Goran Ferec & Generacija 91-95| Bojana Tamindzija

 

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CitiesMethodologies Buchurest
28 October - 5 November 2010

http://citiesmethodologies.wordpress.com/

The aim of CitiesMethodologies is to show concrete examples of new and innovative approaches which are pushing the boundaries of urban research, and which may be based in the arts, sociology, anthropology, urban planning, architecture, etc. Instead of looking at ‘end products’ of how cities are represented, the objective is to look at how urban researchers and ‘explorers’ (artists, academics, practicioners, and others) make their hands dirty in terms of the practical choices (and mistakes) they make in the process of data gathering, and the way their practices intervene in the everyday life of cities.

Artists: Wesley Aelbrecht, Irina Botea, Margareta Kern, Anthony Luvera, London in Motion, Cosmin Nicolae, Mircea Nicolae, Rastko Novakovic& Ger & Ger Duijzings, Phil Collins, roArchive (Bogdan Bordeianu, Michele Bressan, Simona Dumitriu, Bogdan Girbovan, Raluca Ionescu, Iosif Kiraly, Andrei Mateescu, Cosmin Moldovan, Larisa Sitar), Peter Sant, Alexandru Solomon, subREAL, Füsun Türetken, Eva Weber.

Curators: Aurora Kiraly and Simona Dumitriu

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Kunsthalle Budapest
Over the Counter: The Phenomena of Post-socialist Economy in Contemporary Art
18 June 2010 - 19 September 2010

Curators: Eszter Lázár and Zsolt Petrányi
OPENING: 17 JUNE, 2010, 7 P.M.

The exhibition called Over the Counter has been inspired by the economic illusions, utopias, creativity and frustration that Central Europe has been home to recently, and is made relevant by the global economic crisis which began in 2008, and which can be looked upon as a negative critique of the process of adopting the capitalist order. Continue reading here. http://www.mucsarnok.hu

ARTISTS: Matei Bejenaru, Bukta Imre, Mircea Cantor, Olga Chernysheva, Anetta Chisa, & Lucia Tkácová, Erhardt Miklós, Andreas Fogarasi, Kristina Inciuraité, Interorient, Keserue Zsolt, Margareta Kern, Johanna Kandl, Yuri Leiderman, Kristina Leko, Anna Molska, Deimantas Narkevicius, Nemes Csaba, Lucia Nimcova, Uriel Orlow, Dan Perjovschi, REINIGUNGSGESELLSCHAFT, R.E.P., Katerina Sedá, Société Réaliste, Mladen Stilinovic, Lukasz Skapski, Kamen Stojanov, Mona Vatamanu & Florin Tudor, Clemens von Wedemeyer.
 

"GUESTS' Installation at Kunsthalle Budapest.
More info and images about the work please see guestworkerberlin.blogspot.com

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guest

GUEST, Margareta Kern, 2010
Photo by: Marcus Kern
/ Post-production: Basia Hrymowicz

 

GUEST: solo exhibition at ICIA Bath, 6 May - 18 June 2010, part of Artist-in-Residence

Kern's photographic and video work to date has drawn on documentary portraiture, the process resembling anthropological 'field work', the artist returning home with field notes, photographs, videos and sound recordings. The residency in Bath has evoked this process - the artist being away from home, a 'guest', attempting to both integrate while observing her new environment. During her residency, Kern wore a specially designed 'work wear' tailor-made by her mother. Kern met with University staff that wear uniforms or protective clothing, such as physics lab technicians, security staff, postal workers, chefs and cleaners, and took a photograph as a record. To continue reading please click here http://www.bath.ac.uk/icia To read GUEST a-n Blog please click here.

Supported by the Arts Council England, University of Bath's department of Social Science and the Institute of Contemporary Interdisciplinary Arts.

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The 28th State: European Borders in an Age of Anxiety
Tate Britain, October 2009

The symposia questioned how artists and curators in Europe are currently engaging with ideas around borders, nationhood, social organisation and collaboration. What is role of art within this context, particularly in relation to the current state of European politics and increasing social unease within many rapidly changing populations?

Part of Borderline project, curated by Sonya Dyer. Supported by Chelsea Programme, Chelsea College of Art and Design and City Inn Westminster. The videos of the symposia is available on the Borderline website http://borderlineproject.org.uk/
http://www.tate.org.uk/britain/eventseducation/symposia/19662.htm

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Clothes for Living and Dying/Odjeca za Zivot i Smrt
International touring solo exhibition

new date: The Museum of Contemporary Art, Banja Luka, Bosnia-Herzegovina, September 2012

11 October - 8 November 2009 - Kunstverein Worms, Germany

3 September - 31 September 2009 - Galerija Umjetnina Slavonski Brod, Likovni salon Becic, Croatia

8 April - 14 June 2009 - Impressions Gallery/Bradford/UK

12 September - 18 October 2008 - Margaret Harvey Gallery/St Albans/UK

15 May - 29 May 2008 - HDLU: PM & Bacva Galerija/
Zagreb/Croatia
For images from the exhibition in Zagreb please click here: http://www.flickr.com/photos/margaretakern/


 
impressions bradford exhibition images
Installation images from the Impressions gallery, 2009, Bradford, UK

'Clothes for Living and Dying' brings together two interrelated projects 'Graduation Dresses' and 'Clothes for Death' in order to explore the significance and role of clothing in two rites of passage: graduations and funerals.

 
 
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For more events and exhibitions please see exhibitions page...